[ rest ] + a core concept of design

Created as a bumper into a message by a guest speaker at Awaken, this project took a few attempts to communicate the core concept.  Many designers struggle with articulating what their core concept is. Understanding the core concept is the key to unlocking the design. It’s like writing a story. Once you know the personality of your lead character, the story practically writes itself.

The next thing is just as important. Once I’ve honed in the core concept the very next thought (often subconscious) is:

What do I want people to feel?

Nostalgic? Creative? Tranquil? Anxious? Contemplative? Assured? Curious? All of the above?

Do I want people to feel light and fluffy or do I contrast rest with the chaos that is our lives?  In the end, I chose a bit of both.  The white backdrop with the pattern behind the logo (see 0:30 of the below vid) reminds me of a pillow or a plush comforter.  The intro of the video being tied to the to-do list gave the short video a bit of tension and release.  Even a narrative arc, if you will.

Here are a few practical things that I did as I got the project started:

  • So the main element needed to create the to-do list was simply a high resolution png file of lined paper.  I rotated it in Z-space to give it believability as an actual 3 dimensional object.  I also tiled the paper to continue the list beyond the size of the original png file.
  • After copying a relatively true-to-life to-do list that I or my wife would make and entering it into a text layer, I was almost ready to begin animating.
  • Before creating keyframes within the timeline, I needed the position of my objects to become interdependent.  I did so by pick-whipping (an After Effects term) the position of the text layer to the tiled paper layer.  I rotated the camera on the Y axis a bit and also pushed it back in Z-space while moving the position down along the Y axis.

I could get into many more of the details but those are the main ones the helped this video take form in a relatively simple way.

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Intention + Creative Process

The soundtrack for this post: Thom Yorke – The Eraser.

Much like writing, you always want to keep your audience in mind when designing graphic art.  The goal is to capture the essence of an idea.  Sometimes people want to rush this.  They find a pre-packaged, commonly used object that fails to express the unique qualities of this one, important idea.  You can’t rush it.  The graphic finds you as much as you find it.  It takes experimentation.  It takes time.  Don’t rush the creative process.  You need something you can believe in.  Something that propels people to the core of the idea without distilling it to the point of blandness.

Ask yourself:

How can I communicate the complexity of this idea in a simple, yet beautiful way?

Here are a few recent projects I’ve been working on for Awaken for gatherings and events:

Basic Ingredients:

  • Font: Helvetica Neue (ultra light and medium)
  • Effect on text and objects: outer glow (color: #33ff00)
  • Plus a couple simple images…

.           texture              +                object              =                    a simple, beautiful graphic

The beauty of this graphic is that it fuses traditional color schemes, which gives it familiarity, but incorporates abstract, non-descript objects.  The texture in the background helps the objects in the foreground have the feeling of dimension.  A subtle but essential element.  Lastly, the text “awaken” has shading helping it to feel like part of the foreground, instead of a hard layer on top.

Here are two other recent projects:

1. Creative Experience: Paper Hat Boy

.               before                                                                        after

Basic Ingredients:

  • Fonts: Helvetica Neue (ultra light and light) + Gabo4 (on the hat)
  • Effects: dodge, shadows/highlights, smudge

The concept here is that creativity in it’s purest form is imaginative.  The boy isn’t just wearing a folded newspaper on his head.  It’s a hat.  But not just any hat. To him, it’s a gateway to imaginative play.  It’s self-actualization.  He’s Peter Pan.  He’s Robin Hood. He’s the captain of a ship.

What is the boy looking at?

What does he see through his newfound perspective?

This is why this image supports the idea of a creative experience.  It anchors the concept to something familiar: imaginative play.

2. Gathering: Dandelion

.                 before                                                                        after

Basic Ingredients:

  • Font: Helvetica Neue (ultra light and medium)
  • Effect: glow (on the top right seed blowing away)
  • Shading + contrast + over-saturation

The things that I like about this graphic is that the difficulty of cutting out the dandelion gave it a “paper” look.  The concept here is tied to the seedling blowing away.  This may prompt some sub-concious questions:

What does a seed do?

Is the seed a metaphor for something?

The hand holding the dandelion also causes the viewer to assume someone is blowing the dandelion. What prompts a person to blow the seedlings from a dandelion? It’s a conceptual direction that evokes feelings. Hope.

When employing the creativity of visual art, be sure to give it dimension, conceptual direction and shape.

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